The extraordinary sixty-thousand-year history of how the Pacific islands were settled. 'Takes readers on a narrative odyssey' Wall Street Journal, Books of the Year 'Highlights a dizzying burst of new research' The Economist 'A refreshing addition to the canon of literature that contemplates Oceanic navigation' Noelle Kahanu 'I would not be surprised if, after reading this masterpiece, many readers are compelled to take up voyaging themselves' Science Magazine Thousands of islands, inhabited by a multitude of different peoples, are scattered across the vastness of the Pacific. The first European explorers to visit Oceania, from the sixteenth century on, were astounded and perplexed to find populations thriving so many miles from the nearest continents. Who were these people and where did they come from? In Voyagers, the distinguished anthropologist Nicholas Thomas charts the course of the seaborne migrations that populated the islands between Asia and the Americas. Drawing on the latest research, including insights gained from linguistics, archaeology, and the re-enactment of voyages, Thomas provides a dazzling account of these long-distance migrations, the sea-going technologies that enabled them, and the societies that they left in their wake.

Published in 1999, this book is designed to provide the reader with a detailed understanding of Hong Kong's social and political development. It offers a contemporary, holistic understanding of Hong Kong, which will not only complement existing works but also provide the reader with a solid foundation for understanding future developments in the territory. The book is divided into three sections: Identity, Civil Society and Politics. The first two sections provide a discrete understanding of the issues involved. This analysis is then utilised to explain the particular path of political development Hong Kong experienced in the 1980s and 1990s. Due to the in-depth analysis provided this work will be of use either to academics or to members of the general public seeking to understand the development of Hong Kong.

In the decade since the Asian financial crisis the ten states of Southeast Asia that form ASEAN, together with China, Japan and South Korea have formed the basis of a community intended to support the well-being of its member states, markets and peoples. This highly successful regionalisation was not anticipated by the region's leaders, however, and as a result, policy makers are increasingly talking about 'meeting fatigue' and the need to find a better way to govern regional affairs. Among the reforms being considered is a shift towards a more rules-based culture as well as the more explicit incorporation of both private sector and civil society organisations into the policy processes. In short, ASEAN+3 is seeking to develop new norms and processes for its networks and institutions. This book explores the pressures currently influencing East Asian regionalist policy debates, analysing the trend towards deeper integration and the emergence of a governance model for managing regional processes. Combining state and subnational perspectives in conjunction with an examination of the role of the business community and civil society organisations, this book highlights the policy challenges confronting regionalism and governance in East Asia, including key issues such as the rule of law, financial cooperation and a case study on disaster management.

Developments in East Asia have progressed rapidly in terms of regionalism since the 1997 crisis. The end of the Asian miracle called into question not only the capacity of regional states to meet the needs of their attendant peoples, but also challenged the viability of regional organizations, such as ASEAN, to adapt and respond to the changing circumstances.
Advancing East Asian Regionalism looks at the ways in which ASEAN has expanded since the crisis, and evaluates the potential of East Asia to come together in a regional formation - one capable of representing the region as a whole - akin to the European Community. It draws upon the knowledge and perspectives of academics and policy makers actively engaged in the contradictory issues of regionalism. Coupling case study material on regionalism, institutions, and sectoral cooperation, with theoretical debates on regionalization, this book is an invaluable resource that pushes our understanding of East Asian regionalism forward.

In the decade since the Asian financial crisis the ten states of Southeast Asia that form ASEAN, together with China, Japan and South Korea have formed the basis of a community intended to support the well-being of its member states, markets and peoples. This highly successful regionalisation was not anticipated by the region's leaders, however, and as a result, policy makers are increasingly talking about 'meeting fatigue' and the need to find a better way to govern regional affairs. Among the reforms being considered is a shift towards a more rules-based culture as well as the more explicit incorporation of both private sector and civil society organisations into the policy processes. In short, ASEAN+3 is seeking to develop new norms and processes for its networks and institutions.

This book explores the pressures currently influencing East Asian regionalist policy debates, analysing the trend towards deeper integration and the emergence of a governance model for managing regional processes. Combining state and subnational perspectives in conjunction with an examination of the role of the business community and civil society organisations, this book highlights the policy challenges confronting regionalism and governance in East Asia, including key issues such as the rule of law, financial cooperation and a case study on disaster management.

Developments in East Asia have progressed rapidly in terms of regionalism since the 1997 crisis. The end of the Asian miracle called into question not only the capacity of regional states to meet the needs of their attendant peoples, but also challenged the viability of regional organizations, such as ASEAN, to adapt and respond to the changing circumstances. Advancing East Asian Regionalism looks at the ways in which ASEAN has expanded since the crisis, and evaluates the potential of East Asia to come together in a regional formation - one capable of representing the region as a whole - akin to the European Community. It draws upon the knowledge and perspectives of academics and policy makers actively engaged in the contradictory issues of regionalism. Coupling case study material on regionalism, institutions, and sectoral cooperation, with theoretical debates on regionalization, this book is an invaluable resource that pushes our understanding of East Asian regionalism forward.

Published in 1999, this book is designed to provide the reader with a detailed understanding of Hong Kong's social and political development. It offers a contemporary, holistic understanding of Hong Kong, which will not only complement existing works but also provide the reader with a solid foundation for understanding future developments in the territory. The book is divided into three sections: Identity, Civil Society and Politics. The first two sections provide a discrete understanding of the issues involved. This analysis is then utilised to explain the particular path of political development Hong Kong experienced in the 1980s and 1990s. Due to the in-depth analysis provided this work will be of use either to academics or to members of the general public seeking to understand the development of Hong Kong.

The essays in this volume, by distinguished scholars in Pacific studies, emerge from research in a region in which the nation - like other projects of modernity - has been peculiarly tenuous. These case studies focus upon local perceptions of the state, efforts to ground nationhood in tradition, the character of national narratives, and recent transformations of the Pacific nationalism. It is striking that in many Pacific nations, "national" narratives are subordinate to other fundamental historical imaginings, such as those concerning local political dynasties and conversion to Christianity. While leaders in Pacific states have frequently sought to legitimate new nations through local "tradition" and "custom", these constructions of identity frequently mask divisions arising from gender, hierarchy and other social relationships. These studies from Papua New Guinea, Vanautu, Samoa and the Cook Islands add much to our knowledge of historical imaginings and contemporary culture in the Pacific, but raise larger questions concerning the current transformation of national identities.

Drawing on contributors from academic and policy communities, this volume explores the major aspects of Australia-China relations. The frequently overlooked connection between Australia and Taiwan is also considered to allow readers to reach a full appreciation of the restraints engendered by the relationship with China as well as its many benefits. Moving beyond the traditional state-centric analysis, the work incorporates new material on sub-state relations as well as examining the impact of global economic and social forces on the Australia-China friendship. In addition to providing a contemporary understanding of the bilateral ties, this work also provides a benchmark against which Australia's other relations with the countries of East Asia can be measured.

A timely re-examination of European engagements with indigenous art and the presence of indigenous art in the contemporary art world. The arts of Africa, Oceania and native America famously inspired twentieth-century modernist artists such as Picasso, Matisse and Ernst. The politics of such stimulus, however, have long been highly contentious: was this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation? This revelatory book explores cross-cultural art through the lens of settler societies such as Australia and New Zealand, where Europeans made new nations, displacing and outnumbering but never eclipsing native peoples. In this dynamic of dispossession and resistance, visual art has loomed large. Settler artists and designers drew upon Indigenous motifs and styles in their search for distinctive identities. Yet powerful Indigenous art traditions have asserted the presence of First Nations peoples and their claims to place, history and sovereignty. Cultural exchange has been a two-way process, and an unpredictable one: contemporary Indigenous art draws on global contemporary practice, but moves beyond a bland affirmation of hybrid identities to insist on the enduring values and attachment to place of Indigenous peoples.

The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society.
Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gell's important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.

The anthropology of art is currently at a crossroads. Although well versed in the meaning of art in small-scale tribal societies, anthropologists are still wrestling with the question of how to interpret art in a complex, post-colonial environment. Alfred Gell recently confronted this problem in his posthumous book Art and Agency. The central thesis of his study was that art objects could be seen, not as bearers of meaning or aesthetic value, but as forms mediating social action. At a stroke, Gell provocatively dismissed many longstanding but tired questions of definition and issues of aesthetic value. His book proposed a novel perspective on the roles of art in political practice and made fresh links between analyses of style, tradition and society.
Offering a new overview of the anthropology of art, this book begins where Gell left off. Presenting wide-ranging critiques of the limits of aesthetic interpretation, the workings of objects in practice, the relations between meaning and efficacy and the politics of postcolonial art, its distinguished contributors both elaborate on and dissent from the controversies of Gell's important text. Subjects covered include music and the internet as well as ethnographic traditions and contemporary indigenous art. Geographically its case studies range from India to Oceania to North America and Europe.

The voyages of Captain Cook are endlessly fascinating to a wide audience, and no aspect of them has been more controversial than Cook's death. This book reprints one of the classic accounts of this episode, the vivid and lively narrative by one of the voyage surgeons, David Samwell. This book not only makes Samwell's "Narrative of the Death of Captain James Cook" readily available for the first time, but presents it with Samwell's previously unpublished letters relating to Cook's third voyage, and his poetry. The introductory essays discuss Samwell's contribution to our understanding of this dramatic period in Pacific and maritime history, and examine the personality and career of Samwell himself.

The dazzling colours and patterns of the art of the Pacific Islands have long entranced Western audiences, not least artists such as Gauguin and Picasso. The tendency has been to regard Oceanic art as `primitive', mysterious and shrouded in taboo, but Nicholas Thomas, in looking at and beyond the familiar, stunning surfaces of masks and shields, carved canoe prows and feathered gods, discovers the significance of such objects, past and present, for the peoples of the Pacific. In this revised edition with a completely new chapter on globalization and contemporary art, he shows how each region is characterized by certain art forms and practices - among them Maori ancestral carvings, rituals of exchange and warfare in the Solomon Islands, the production of barkcloth by women in Polynesia - while also being shaped by influences from within the Pacific and beyond. The dynamism and diversity of this compelling art are highlighted by the works accompanying this revelatory text - from those that evoke deep-rooted customs to ones that address contemporary political issues, now illustrated in colour throughout.

Taking as its departure point Bernard Smith's classic study, European Vision and the South Pacific (1960), Double Vision explores the ambivalences of European perceptions of the Pacific and juxtaposes them with the indigenous visual cultures that challenge Western assumptions about art and representation. Double Vision addresses these larger interpretive questions through case studies of the cultures of voyages, colonial art, and indigenous affirmations of identity. It suggests that images and texts can be combined through a new practice of innovative, visually oriented cultural history. This approach yields a fresh understanding of history, colonialism and culture in Australia, New Zealand and the Pacific. Double Vision is a challenging combination of visual and textual inquiry, and its outstanding list of contributors offers a fresh perspective on art and history in the Pacific.

From the remote shores of Rapa Nui to the dense rainforest of Papua New Guinea, the islands of the Pacific are home to some of the most culturally diverse populations on the planet. The region embraces an extraordinary range of art forms, from delicate shell ornaments to spectacularly decorated canoes and meeting houses. These have fascinated outsiders since the exploratory voyages of Captain Cook, the first of which commenced 250 years ago in 1768, and went on to entrance Gauguin and a host of other European artists. This volume accompanies a major survey in London and Paris of art from Oceania. It brings together the most up-to-date scholarship by the leading experts in the field, encompassing a dazzling array of objects from the region, including many that have never been published before. Also included are many works that have historically been overlooked, such as painted and woven textiles, elaborate wicker assemblages and expressively sculpted vessels, alongside works by artists working in Oceania today. Objects of great aesthetic beauty, these artworks are the product of a complex web of social, mythological and historical influences.

When Tatau was first published in 2010, Mark Adams' renowned images documenting a great Polynesian art tradition were a revelation. It told the story of the late Sulu'ape Paulo II, the pre-eminent figure of modern Samoan tattooing. A brilliantly innovative and often controversial man, he saw tatau as an art of international importance. Tatau documented his practice, and that of other tufuga ta tatau (tattoo artists), in the contexts of Polynesian tattooing, Samoan migrant communities and New Zealand art. Long out-of-print, this revised and extended new edition, with its handsome large format and texts by distinguished scholars, makes a cultural treasure available once more.

The human hospitality industry is constantly evolving on many different fronts. From innovations in technology to more exacting customer expectations, the need for well-trained human resources are needed now more than ever to meet operation demands. Human Resources Leadership in Hospitality addresses one of the biggest challenges a hospitality manager faces: finding and retaining great employees. This text provides ""real world"" examples through vignettes from industry practitioners and members of the academic community who teach and research HR. Human Resources Leadership in Hospitality proves that there is a distinct difference between leading human resources and managing them. Human Resources Leadership in Hospitality provides a comprehensive overview of human resources leadership. It features best practices and critical information related to the following topics: diversity regulatory issues (the law) various functions of human resources leadership: workforce planning and organizing recruiting selection training development compensation benefits managing employee performance labor relations workplace safety and health working labor unions.

Natalie shares advice that has worked for her when she was penniless, rejected, and alone. "Thriving in a Hateful World" contains ten chapters of motivational tips, stories, and life coaching to teach you how to thrive in a hateful world. Learn how to respond to your worst critics. Live your dreams even when people don't support you. Love and laugh when it seems that all hope is gone. Natalie Buske Thomas is an accomplished oil painter and the author of the popular Serena Wilcox mysteries, but life wasn't always kind. When Natalie was fifteen years old she was in a whitewater rafting accident. A doctor said that she would be in a wheelchair for the rest of her life. She danced in her next recital. It was a fight that she won, after a long year of seizures and illness. During that same year, her father died from cancer. He was only thirty-seven. Let Natalie show you how to find peace in the past, contentment in the present and hope in the future. We live in a hateful world. Natalie thrives anyway. And so can you Read "Thriving in a Hateful World" from cover to cover, or only one chapter at a time. Keep a journal, share the book with a friend, or organize a small group. Be inspired, dare to dream and believe in the impossible

Bluebird Flown, the final book in the Serena Wilcox Dystopian Trilogy, goes even deeper into the madness of futuristic America; corrupt, heavy with conspiracies-- chillingly close to tomorrow's headlines. President Ann Kinji trusts no one, except for government outsider, former private detective mother-of-three Serena Wilcox and her motley crew of vigilantes, burned agents & the criminally insane. As the United States continues to spiral out of control, can Serena stop all of the traitors before they kill the President? As the layers of betrayal are peeled, will anyone remain standing? Covert Coffee's dystopian, eerie, and intense vibe continues What began in Angels Mark and escalated in Covert Coffee is revealed in Bluebird Flown. suspense, humor, part of a series: The Serena Wilcox Mysteries, book 3 of the Serena Wilcox Dystopian Trilogy] genre: thriller, futuristic]